![]() ![]() How well this works does depend on the overall lighting and general quality of your footage. Instantly, the clip will take on a new look, depending on the level of adjustment required. Whether a clip is in the Browser or being used on the Timeline, clicking on the enhancement button will show the Balance Color menu option. This is a process that can be done after import, on a clip-by-clip basis. If you want to try it, then test with a couple of clips, as it will slow down the overall import time. This is a useful feature but by no means an exact science. This will also include issues of exposure (the brightest parts of an image) and contrast (how they compare to the darkest regions). Ticking this option means Final Cut Pro X will look at each clip you import and attempt to fix any unbalanced colors. Poor white balancing can lead to a video looking too blue (cool) or too orange (warm.) This means how your camera sees white objects under different lighting conditions and how it subsequently shows all other colors on the spectrum. Essentially, this corresponds to how the footage was originally filmed and if your camera was correctly white balanced. Here, you’ll find the option to Analyze video for balance color. Within the Final Cut Pro X Import window, there’s the Analyze and Fix pane. When working in Final Cut Pro, you can even have the first step of color correction done automatically. Once you become comfortable with those, you can experiment with the more advanced features. If that all sounds a touch intimidating, the good news is that all professional editing software will come with basic tools to get started with color grading. If your films lack color balancing, or if the colors of shots within a scene don’t match, it will be noticeable.Ĭolor grading can be done to balance across footage, or for applying a particular artistic finish to a film. One of the noticeable differences between amateur and professional video editing is in the color grading. ![]()
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